Downloads
You are welcome to download any of the printed or recorded music on this page free of charge. Please contact us to keep us informed of any performances you may have planned. (We will also be happy to help promote your event!)
We have a few conditions concerning copyright etc. which can be found at the bottom of the page.
If you prefer hard copies of scores and recordings just send us details of what you would like, with full postal address, by clicking here.
For a full list of works see the music page. Any scores (PDFs or hard copies) not available for download from this site will be sent to you on request.
ScoresEndings score (A4) (1,401 KB)Homecoming (A4) (278 KB) Solitude 1st version (1,331 KB) String Quartet 2005 (A4) The above scores are in PDF format. download Adobe Acrobat Reader. |
RecordingsHomecoming, 2007 (8MB) (complete)Piotr Szewczyk, violin Loss, 2005 (4 MB - MP3) (complete) Aspen Contemporary Ensemble, Syd Hodkinson Solitude, 2003 (10 MB - M4A) (complete) The Gryphon Trio 'Tis Pity, 2003 (4 MB - M4A) (complete) Yale Philharmonia, Lawrence Leighton Smith Endings, 2002 (8 MB - M4A) (complete) Esther No, violin, the composer, piano The above music downloads are a mixture of MP3 and M4A formats. If your computer does not automatically play the music when you click the links above, you can download a free player such as Winamp here. |
Terms and Conditions
Downloads of scores and parts are available free of charge on the following conditions:
1. Any the works may be performed privately or publicly without paying a royalty direct to the composer, but we ask that you contact us to let us know about your event.
2. In any performance or recording of the works, you must clearly credit the composer and you must refer to this website ("www.nathanwilliamson.co.uk").
3. You may photocopy scores and parts as may be necessary for use in performance. However, you may not publish this material (i.e., reproduce the material and sell or otherwise distribute the material) without the prior written permission of the composer.
4. You are welcome to record any of the works for private use, but such recordings may not be sold without permission of the composer.
5. Ownership of and all rights associated with the scores, parts, and compositions remain with the composer at all times.
6. If you perform or broadcast any of these works, please let the composer know. If any are recorded, please let the composer have a copy.

